‘Saturday Night Live’ act Please Don’t Destroy transition to the big screen with ‘Please Don’t Destroy: The Treasure of Foggy Mountain;, proving their talents as they do. Review by Mark Carnochan.
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Natalie Portman, Julianne Moore and Charles Metlon impressively belie their characters in Todd Haynes’ awards frontrunner ‘May December’, a film that is hard to forget. Review by Connell Oberman.
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‘It’s a Wonderful Knife’ (2023) adds a twist to ‘It’s a Wonderful Life’, creating a technically proficient 90-minute blast of a slasher movie with some real star power. Review by Kieran Judge.
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Disney’s 100th birthday release ‘Wish’ is a disingenuous, one dimensional, form of corporate self-fellatio that is insufferable to watch. Ariana DeBose and Chris Pine star. Review by Mark Carnochan.
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Ridley Scott reunites with ‘Gladiator’ star Joaquin Phoenix for historical epic ‘Napoleon’, a film about Napoleon Bonaparte’s conquests that had a lot of potential. Review by Joseph Wade.
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For the most part, Eli Roth’s slasher horror ‘Thanksgiving’ (2023) does exactly what it says it’s going to. It gives a good, bloody slasher flick. Review by Kieran Judge.
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The prequel to ‘The Hunger Games’ is another worthy entry into the canon, ‘The Hunger Games: The Ballad of Songbirds and Snakes’ offering a rich and intriguing peak into the past. Review by Margaret Roarty.
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Emerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.
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Nia DaCosta takes on ‘The Marvels’ (2023), a “decent enough time at the movies” that doesn’t quite top the canon of Marvel Cinematic Universe offerings. Review by Sam Sewell-Peterson.
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The nominees for the 81st Golden Globe Awards have been announced,