‘Saturday Night Live’ act Please Don’t Destroy transition to the big screen with ‘Please Don’t Destroy: The Treasure of Foggy Mountain;, proving their talents as they do. Review by Mark Carnochan.
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Disney’s 100th birthday release ‘Wish’ is a disingenuous, one dimensional, form of corporate self-fellatio that is insufferable to watch. Ariana DeBose and Chris Pine star. Review by Mark Carnochan.
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Emerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.
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David Fincher offers one of 2023’s best films in ‘The Killer’ starring Michael Fassbender, a thriller that deserves to survive the plight of the Netflix algorithm. Review by Mark Carnochan.
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Where should you begin with the feature directorial career of iconic horror and superhero filmmaker Sam Raimi? Find out in this article by Mark Carnochan.
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Behold Gareth Edwards’ ‘The Creator’ (2023), a mid-budget sci-fi starring John David Washington that is a good time at the movies. Review by Mark Carnochan.
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Babak Jalali’s ‘Fremont’ (2023), about an Afghan woman living in the United States, won’t be a film for everyone but has a charm that is difficult to resist. Review by Mark Carnochan.
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Adapted from a short film, Rodger Griffiths’ feature directorial debut ‘Kill’ (2023) leaves you with thoughts of what could have been. Review by Mark Carnochan.
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The nominees for the 81st Golden Globe Awards have been announced,