Saltburn (2023) Review

Saltburn (2023) Review

Emerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.

Read More

How to Have Sex (2023) Review

How to Have Sex (2023) Review

Molly Manning Walker’s ‘How to Have Sex’ (2023), winner of the Un Certain Regard prize at Cannes, is a film about sex and consent thankfully absent of the male gaze. Review by Gala Woolley.

Read More

How ‘Threads’ Remains Frighteningly Relevant 40 Years On

How ‘Threads’ Remains Frighteningly Relevant 40 Years On

Barry Hines and Mick Jackson constructed a straight-to-television film that depicted the horrors of nuclear annihilation in a terrifying, realistic and lasting manner. Essay by Eleanor Wise.

Read More

Polite Society (2023) GFF Review

Polite Society (2023) GFF Review

“Truly, a star has been born in Priya Kansara” in Nida Manzoor’s unique British coming-of-age film ‘Polite Society’, a film with all the makings of a smash hit. Review by Mark Carnochan.

Read More

Girl (2023) GFF Review

Girl (2023) GFF Review

‘Girl’, the debut feature from Adura Onashile and 2023 Glasgow Film Festival opening night gala, features a charming performance from Le’Shantey Bonsu but is generally disappointing. Review by Mark Carnochan.

Read More

Empire of Light (2022) Review

Empire of Light (2022) Review

Sam Mendes’ follows up his award winning ‘1917’ with the oblique and tripe ‘Empire of Light’ (2022/23) starring Olivia Colman, a film that isn’t really for anyone. Review by Joseph Wade.

Read More
1 2 3